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Lee Shealy playing live
March 14, 2025

Groovin'


STORY BY Dawn Tolbert

Lead photo by Brant Sanderlin

Soft blue lights pierce the darkness at the front of a sold-out venue. A sharp burst of drums hushes the crowd, followed a beat later by a blaze of electric guitar. On cue, Lee Shealy (82C) turns deft hands to the keyboard, calling forth the melody to one of the many iconic hits of Atlanta Rhythm Section (ARS). Radiating pure joy, he spends the next couple of hours entertaining others with the soundtrack of his youth.

From the stage, Shealy can make out faces in the crowd that might once have been his. In his teen years, he grooved to ARS as an attendee at such shows as the New Year’s Eve bash that rang in 1976 at Atlanta’s Fabulous Fox Theatre and a rockfest at Georgia Tech’s Grant Field featuring Heart and Foreigner as opening acts and Bob Seger as co-headliner. Now, the Berry music education alum is a full-time member of the legendary Southern rock ensemble, gracing posters with his bandmates for tours that delight audiences nationwide.

“It’s a cool thing,” he said with a grin.

Free this weekend?

The year was 2017, and Shealy was on a weekend getaway in Washington, D.C. By then, he boasted a long and eclectic career in music, both on stage and behind the scenes. He’d played with a touring ARS tribute band, but the notion he’d ever join the actual group would have seemed ludicrous right up to the moment ARS cofounder Rodney Justo called with an urgent request.

Keyboardist Dean Daughtry, another original member, had broken his wrist and would miss a gig for the first time in 47 years. The band needed a substitute in a hurry. Was he available to step in?

In that instant, connections made over a lifetime formed an on-ramp to opportunity beyond his wildest dreams. So far out, in fact, that he immediately thought of a reason why it wouldn’t work.

“In my feeble brain, I figured they were playing around Atlanta, so I said, ‘I can’t because I’m in D.C. for my wife’s birthday,’” Shealy recounted. “Rodney didn’t miss a beat, replying, ‘Oh great! We’re in Pennsylvania; I’ll rent you a car.’”

In a flash, Shealy was cruising north to the gig with wife Jenny, who enthusiastically agreed to the sudden change in plans. There was no rehearsal once they got there, just “a soundcheck where we hit the high points” before starting the show.

“After being with ARS full time for five years now, I realize there was a lot of stuff I was skating over back then,” Shealy acknowledged. “It’s really well-written music, and people who come to the shows want to hear it played accurately.”

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Friend to family

That weekend in Pennsylvania opened the door to other opportunities to appear with the band as Daughtry’s health declined. When the legendary keyboardist played in his farewell show at the Buckhead Theatre in December 2019, Shealy was there.

“It was really kind of a prophetic moment,” he recalled. “I was the guy who rolled him in his wheelchair down the ramp, out the backstage door and to his car. He told me, ‘You’ve got the music. This is my word of advice: take care of your body.’”

In that moment, Shealy had Daughtry’s blessing, but he didn’t yet have the job.
He expected to audition, but instead Justo said he and the other bandmembers wanted to discuss Shealy’s “fit” within the group, noting that as a full-time member “eventually you’d be family.”

A six-month trial run followed, during which Shealy joined ARS for shows across the Northeast and out in Oregon, with multiple stops in between. Rather than worry about his long-term future, he opted to enjoy the ride, however long it lasted.

ARS was performing “somewhere cold. Minneapolis, maybe?” when he got a text from Justo.

“Hey. Come see me in my room.”

His heart racing, Shealy decided to lean into Justo’s sense of humor.

“Should I wear something nice?”

“Wouldn't hurt.”

Shealy then got the news he’d hoped to hear. With the band’s blessing, he was welcomed to the “family” as a permanent member, joining a proud musical legacy dating back to 1970.

“They really wanted to make sure I was the right fit because once you’re part of the band, you’re really in,” he explained. “It’s a full-time job with W-2s, the whole nine yards.”

Keys to success

The future ARS keyboardist wasn’t much more than a toddler when his mother got him started playing the piano. At 4, he began taking lessons with a private teacher who stressed the importance of understanding what was happening musically over rote learning or memorization.

“Now that I look back, I understand she actually taught music theory,” he said admiringly. “She wanted you to do more than just look at the page and tap out notes. It’s about making music, not taking dictation.”

As knowledge and skills grew, so too did awareness of his own potential. Listening to rock and jazz on the radio, he realized, “I can play this stuff.”

Shealy eventually added trombone to his instrumental repertoire but admits to getting "too big for my britches" when he dropped out of piano lessons in high school. While he loved playing trombone in band and “did okay with grades,” effort wasn’t high on his playlist. He’d much rather “go ride my motorcycle more than anything.”

After landing what he thought was a well-paying job auditing used coupon books for the then-popular S&H Green Stamps customer rewards program, Shealy spent his free time behind the wheel of his off-white Plymouth Duster in search of Atlanta’s thriving live music scene. At places like Cooley’s Electric Ballroom, MoonShadow and the Georgia Tech coliseum, he swayed to the sounds of ARS and other Southern rock mainstays such as the Allman Brothers and Lynyrd Skynyrd – in addition to Chicago, Kansas, and Earth, Wind & Fire.

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Note by note

The bridge to a career in music turned out to be education, not that Shealy realized it at the time. Older brother Walter (80C) had gone off to Berry to pursue a music degree, but he had no such aspirations.

“Honestly, I wasn’t even thinking about college,” Shealy remarked, “but [then-Berry band directort] Jim Clark had me try out for a scholarship to play trombone and euphonium.”

The scholarship came through, so he decided to give college a spin.

Early on, he took a piano course designed for music majors with little or no experience at the keyboard. His goal was to get an easy A. The teacher, Faye Rowell (now Kesler), quickly composed another plan.

He recalled: “She threw some music up on the first day and asked, ‘Can you read this?’ After I played through it, she asked if I’d had piano lessons. I said, ‘Yeah, some,’ but otherwise kept my mouth shut.”

Rowell brought out more pieces, and soon Shealy had played through an entire year’s worth of lessons. By that point, she’d figured him out.

“She said, ‘I’m going to put you in private piano lessons so you’ll have to actually work on something,’” he recalled with a smile. “Those lessons required me to study a certain number of pieces and really get to know the scales. That’s one thing that’s really a pain in the butt on the piano – all the scales in all the keys. But it kept my fingers on the keys and got me back comfortable with playing.”

Other Berry music professors proved equally demanding, challenging Shealy to work much harder than he’d intended. As a result, he found fresh opportunities to showcase his growing musical talent and, with graduation only a few weeks off, got an offer to leave school and go out on tour.

“I told the agent, ‘Dude, I’ve got to finish this degree, but here’s my phone number,’” Shealy recollected. “He never called me. I probably could have jumped on that opportunity and might have done something sooner as a touring musician, but I guarantee you I would not have been responsible enough to survive the huge party scene that revolved around live bands in the ’80s.”

Instead, he started teaching high school band and elementary music classes in nearby Rockmart before accepting a graduate assistantship with the jazz band director at what was then West Georgia College.

Shealy later returned to Rome, working at a local music store where his duties included daily visits to school bandrooms across Northwest Georgia to handle instrument repair. Next came a foray into home theatre systems, leading to installation work in “huge houses” and high-profile locations across the metro area.

All the while, Shealy was playing gigs. A trio of friends grew into a five-piece band that played weddings in Atlanta. This led to a spot in The Rupert’s Orchestra, famed for its 3,000-song playlist (yes, he had to know them all). That experience coincided with the rise of MTV, and Rupert’s Nightclub was “high-dollar enough” to have projectors to sync video with the live music, so Shealy started doing some production for the orchestra.

Like so many other things in his life, he leveraged the experience at Rupert’s into further opportunity, creating his own production company, which in turn led to the break that ultimately landed him on stage with ARS.

Shealy had been hired to set up a rig for an all-star benefit in Atlanta when the planned keyboardist – Chuck Leavell of the Rolling Stones – was called to the West Coast to perform with John Mayer. Asked if he knew a piano player who could step in, Shealy volunteered, telling the harried producer: “I’m not stupid. If I don’t know something, I’ll just turn the volume down and grin until I catch up.”

Sharing the stage with Shealy at the benefit was Lynyrd Skynyrd drummer Artemis Pyle. He introduced Shealy to former ARS vocalist Andy Anderson, who was forming an ARS tribute band named Champagne Jam (after one of the band’s most famous hits). That run of shows further increased Shealy's familiarity with the ARS musical catalog while also bringing him to the attention of his future bandmates, setting the scene for Justo’s call.

Lovin' this life

As a full-time ARS member, Shealy is now on the road for upwards of 50 tour dates a year. He travels light, often carrying little more than an overnight bag and a thumb drive loaded with all the files necessary to bring the sounds of ARS to life on any keyboard.

“It’s great because people know the songs, and every now and then I can hear people singing louder than what I’m hearing on stage,” Shealy enthused. “I have great fun with it now and really appreciate it because it didn’t just fall in my lap.”

While he loves performing, Shealy also relishes the opportunity to hear longtime musicians reminisce during “the hang” as they often gather with members of Pure Prairie League, Orleans, Firefall and other popular bands of the era.

“We’ll go to the hotel lobby after a show and commandeer a big table, and the guys who have been around a long time tell their stories,” he raved. “Rodney [Justo], for example, is a big celebrity in our realm because he was the leader of a band called The Candymen; they were Roy Orbison’s backup band and a precursor to ARS. When those guys talk, I just shut up and listen.”

Shealy’s incredible journey would be a great subject for a song. Then again, it’s entirely possible it’s already been written. Consider this line from the ARS hit “Georgia Rhythm,” released during his senior year of high school and still a fan favorite at gigs everywhere: “Lovin’ the life we’re livin’, Playin’ that Georgia rhythm.”

Atlanta Rhythm Section

Backstory: Originating in 1970 as the house band at Studio One in Doraville, Georgia, ARS carved out its own unique niche in Southern rock while hitting the upper reaches of the charts in the late 1970s. Among many notable performances of that era, the band played on the White House lawn at the invitation of then-President Jimmy Carter.

Discography: 16 albums and several compilations, including “Champagne Jam” (1978), which was certified platinum with more than a million albums sold

Biggest Hits: “So Into You,” “Champagne Jam,” “Imaginary Lover,” “Homesick” and “Spooky”

Original members: Rodney Justo (singer), Barry Bailey (guitar), Paul Goddard (bass), Dean Daughtry (keyboards), Robert Nix (drums), J.R. Cobb (guitar)

Current lineup: Rodney Justo, Berry's own Lee Shealy (keyboard), David Anderson (guitar), Steve Stone (guitar), Justin Senker (bass), Rodger Stephan (drums)

Tour dates and more information: AtlantaRhythmSection.com

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